Monday, March 30, 2015

The Century of the Self



The Century of the Self


The link



The Vimeo links are by different people, who may or may not represent the content owners. A DVD of the documentary has been produced, but appears to be hard to get; you may have more success looking for an “Adam Curtis set”. I found no usable YouTube links to speak of.

What it is

“The Century of the Self” is a 2002 documentary by Adam Curtis. It looks at mass communication and influencing tactics in the 20th century, by corporations, governments and individuals. Starting form the work of Freud, and its application in marketing by Edward Bernays, it builds a narrative up to the 1990’s elections of Clinton in the U.S. and “New Labour” in the U.K.

It’s also long: four parts, each of them an hour long. I won’t ask you to watch the videos first, this time.

What it means to me


In an age of mass information, staying informed has to include being critical of the media you consume. “The Century of the Self” shows you why.

Perhaps nothing more telling is that, before linking these documentaries in a blog post, I did a search of common criticism to build a complete picture of whether or not it is worthwhile. To save you the time: critics are positive, there are some notes on the political message (both for being too critical of corporations and for being too soft on them), and some of the causality described in the documentaries may not be as clear-cut as presented.

The first two chapters describe what is effectively a media war between corporations and politicians (particularly Franklin Delano Roosevelt), and show a conflict of the 1930’s I hardly knew about. These films describe mass media from the point of view of the communicators, the ones who send a message, and show how they try to influence you. Many communications channels were, and are still, highly asymmetrical: a single entity talks, writes or presents to a large audience at once (hence the term broadcasting). 

The second and third chapters dive into marketing, particularly the shift of marketing from persuading through facts to persuading through emotion. It was eye-opening for me that the counterculture movement of the sixties and seventies actually paved the way for emotional marketing: this counterculture movement stressed that having an identity is important, and if you have a well-defined sense of identity, selling into that identity is very effective.

It turns out to be just as easy to sell Volkswagen vans to 60’s hippies as it is to sell refrigerators to 50’s housewives.

The final installment discusses focus groups, political strategy, and political parties reinventing themselves to appeal to swing voters over their traditional voting blocks.

Many reviews of “The Century of the Self” stress the psychoanalysis part, which I honestly think is the least interesting subject of the documentary. Others stress how big corporate interests in our lives have become, which is true but not particularly revolutionary. I think the documentaries work best as part history lesson, part marketing manual. One you know the tricks and tactics discussed, you’ll be able to recognize them. Thus, you can make better decisions, including “I’m going to let his marketing affect me because I’m okay with that” (on small DIY computers, for example). What “The Century of the Self” does better than any other documentary I've seen is make you aware of the agendas of people who communicate to you, end help you see the world differently.

Isn't that what we watch documentaries for?

Monday, March 23, 2015

Kintsugi



Kintsugi

                  

The link


What it is

Kintsugi is the art of fixing broken pottery with a mix of lacquer and gold. The cup or plate not only becomes usable again, it has a whole new aesthetic due to the unique pattern of the repair. The Wikipedia page has details on the history of the concept. It’s easy to find pictures of the process and its results on the internet as well: Pinterest, an image based social network, is particularly good.

There are often local Kintsugi courses you can take, where you start by smashing up the object yourself!

What it means to me


I love the idea of repair moving something forward, being an addition rather than a return to previous form. This way, an object shows its history and becomes unique. Kintsugi shows that breaking is an end only if you want it to be.

I’m fond of ‘buy it for life’ style items, particularly if they age well. The patina of aging and the subsequent repairs become part of the object, and make it uniquely yours, which I find satisfying. Well-worn denim, for example, has the same aesthetic. I used to own an expensive pair of gloves whose stitches kept ripping, and I specifically asked for visible repairs to show the gloves’ use (and, I admit, to spite the manufacturer in a minuscule act of defiance).

Kintsugi is a wonderful metaphor for personal development. Hemingway famously wrote in “A Farewell to Arms” that “The world breaks everyone and afterward many are strong in the broken places” (the full quote is worthwhile too). We all get hurt; what counts is how we handle ourselves after.

In a job interview I once discussed that for some jobs you need to have suffered – your boss or your client wants to see experience that’s been lived rather than read about. Similarly, I recently discussed with colleagues that “learning by making mistakes” also applies in places where you’d really prefer not to make mistakes in the first place, such as personal dealings with other people.

To me, all of this comes together in Kintsugi. Hardships you’ve been through change you, and thereby leave a mark. Kintsugi gives a hopeful message of being able to repair anything, and emphasizes that how you treat this mark is up to you: you can deny it, hide it, or be proud of it and show it to the world.

Show your scars, people.

Monday, March 16, 2015

Popular Economics



Popular Economics


The link






What it is


Levitt, Dubner and Harford write popular economics books (they're ‘popular’ both in the sense of containing ‘popular science’ material, and in selling quite well). “Freakonomics” and “The Undercover Economist”discuss various topics from an economists’ point of view. “Dear Undercover Economist” is a collection of Tim Harford's tongue-in-cheek ‘economic life advice column’ in the Financial Times (which is about everything but personal finance).

All of these books are accessible to non-economists, and are well written. They’re popular enough that you can order them anywhere.

 

What it means to me


I’m a sucker for books that make you go “huh, I hadn’t thought of that”, especially if the material is presented well. The books above are readable first and foremost, with short chapters that don’t overstay their welcome and plenty of anecdotes.

Beyond the insights and the anecdotes, though, these books are very good at teaching you the economists’ way of thinking: Look at the data first. Follow the money. Ask“why” a lot. The opening chapter of “The Undercover Economist” has an excellent breakdown of the pricing of coffee at coffee shops in high traffic locations, such as train stations:

  • Why is coffee expensive in high traffic places? Because people will pay for it.
  • What happens with the coffee sale proceeds? A large amount is paid in rent.
  • Where does the money go? To the owner of the real estate the coffee shop is in.

At first glance, you would expect that the coffee is expensive because the rent is high, and that (for some reasons) people are still willing to pay this. In fact, the rent is high because enough people are willing to pay for coffee. The fact that coffee-buyers pass by is what makes the building valuable.

This sort of thinking is useful when you do any kind of complex systems analysis. It could very well be that what you think of as cause and effect are actually reversed or interact in more complex ways.

“Dear Undercover Economist” is a hilarious exercise in the lighter side of this, taking ‘normal’ problems and analyzing them through a lens that is very atypical (and exaggerated for comedic purposes) – and yet true.

I heartily recommend these books for anyone with an interest in human behavior, anyone looking to improve their analytical skills, and anyone with a train commute: each chapter takes only 20-30 minutes to finish.

Monday, March 9, 2015

Iron Heart



Iron Heart


The link

Iron Heart (UK site)


What it is

Iron Heart is a Japanese denim manufacturer founded by Shinichi Haraki. Iron Heart UK is the UK based Global distributor, founded by Giles Padmore after convincing Haraki-san he really should sell his clothing outside of Japan. Iron Heart mainly does denim, typically with a motorcycle aesthetic.


What it means to me

I found Iron Heart when I first dove into the “raw” and “selvedge” denim scene, which happened as a byproduct of reading William Gibson’s modern work (they’re great; more on that in a different blog post). For the uninitiated: “Raw” denim hasn’t had it color set yet, and therefore either stains like all hell, or makes beautiful fades, depending on your perspective. “Selvedge” denim uses cloth woven as one solid piece,  which makes for stronger construction but uses more fabric per garment.


Iron Heart make really, really solid clothes. I have treated myself to the IH-527J “CafĂ© Racer” jacket in blue (the third link), and the quality is fantastic. It’s stiff, tough, and feels indestructible, even a year later. I’ve had a similar jacket start falling apart immediately – buttons, seams, the zipper, everything sort of disintegrated. This one, though, holds up. It’s even got chunky YKK zippers in the sleeves that are really satisfying to zip up. Also for the uninitiated: YKK is where it’s at, zipper-wise.


Also, the jacket looks good. It looks good in general and it looks good on me, and when I have it on I even believe the last part. Lots of Iron Heart clothing has this stripped down style to it: there are bits and pieces only if they’re useful. I suppose this minimalism also makes them more difficult to break.



Finally, the UK company where I ordered is really nice. They have free shipping for purchases over 200 euros (…you will probably spend more…), and they contacted me to make sure the fit was correct when they saw I was a first time customer. Iron Heart produces one of the very few newsletters that I don’t mind receiving, and their enthusiasm for ‘good products’ is infectious.



I was going to write that “it’s a shame that these garments are so expensive”, but it really isn’t. Iron Heart makes quality clothing, and charges you the price of making quality clothing. If it were cheaper, it would be less good. What you’re confronted with is reality, namely that quality has a price.



If there’s one thing I’ve learned as a consumer it’s that you should buy the thing you want, not the thing that’s cheapest or most convenient. Not buying anything for a long while is better than buying a knock-off that’s ‘just as good’ – because it won’t be ‘just as good’. More and more my purchases shift to ‘buy it for life’ style items: you make one well thought out expensive purchase and save yourself many cheap replacements over the years. On a cost per year basis, you’re actually better off! As an unexpected result, I haven’t spent any money on actual Iron Heart jeans yet: I’m nervous about the fact that I can’t try them on and I tend to destroy jeans, so I’m afraid I wouldn’t get enough enjoyment out of them for the price.


For jackets though? I would never want another one. And thanks to the build quality, I won’t have to, either.

Monday, March 2, 2015

Breaking “Golden Balls”



Breaking “Golden Balls”


The link

Golden Balls: Split or Steal


What it is

“Golden Balls” is a British game show. In the final round, the two remaining contestants each have to decide whether they will “Split” or “Steal” the total money won:

  • If both players “Split”, they indeed split the money
  • If one player “Steals” while the other “Splits”, the “Stealing” player gets all the money
  • If both players “Steal”, no-one gets any money

This is a classic prisoner’s dilemma set-up, which unfortunately rewards stealing. But what happens if you were to decide not to play by the rules?

 

What it means to me


As always, I’m going to assume that you’ve seen the video, so the following will contain spoilers. There are two things I love about this segment. 

The first is the out of the box thought of “I’m going to use the setup of the game to force you to do what I want, and then settle afterwards”. Nick, the contestant on the right has firmly decided to play his own game, ignoring both the (“in game”) argument of his co-contestant and the attempted process intervention of the game show official. This works, because he has identified beforehand that the actual rules of the game support his actions: if Nick Steals, then Abraham choosing Steal as well will only destroy value. Nick ultimately settles “in game” by secretly choosing Split.

The second is smaller, but just as important: it’s the absolute commitment with which Nick executes his swindle (let’s be honest: this is a swindle). From the first second he states his intention, accepts that that casts him as the bad guy, and follows through. You can see his commitment and ultimate confidence, even if he does look occasionally nervous about what’s happening. When picking his ball, he looks at both, picks one, and holds it, even while Abraham is still deciding. This confidence underlines the point he makes (“I have chosen”), even if he has chosen something completely differently than he says he has.

The gambit rests two things: an immutable decision, and the idea that an out-of-game claim on half the money is still worth much more than an in-game claim on no money. 

Ultimately, this is an inspiration to always look outside the box (or the game) for answers – and to secretly choose Split when you do so.